At this point, the team-up film is Marvel Studios’ bread and butter. They set the world on fire back in 2012 with Joss Whedon’s The Avengers, and in the years since then have repeatedly orchestrated creative groupings and pairings that continue to demonstrate the tremendous fun and inventiveness that comes from bringing engaging, interesting characters together. They repeatedly set a high bar in this area, and are not only constantly reaching for it with each new project, but basically have the entire industry doing it, too. Now, however, we have Joe and Anthony Russo’s Captain America: Civil War, which succeeds in raising the bar higher than you’d think it could go.
Functioning as both a sequel to Captain America: The Winter Solider and The Avengers: Age of Ultron, the film is the most comprehensive Marvel Cinematic Universe chapter to date, and while that put a great deal on the plate of writers Christopher Markus and Stephen McFeely, the movie soars because the challenge is accepted and responded to in brilliant and entertaining fashion. Bringing together tremendous character dynamics; bold structure; an emotional narrative earned after years of story work; and spell-binding, fun action sequences, it’s everything a blockbuster should be.
Loosely based on the 2006-2007 Marvel Comics event series with which it partially shares a title, Captain America: Civil War picks up with its titular character (Chris Evans) working with his Avengers teammates – Falcon (Anthony Mackie), Scarlet Witch (Elizabeth Olsen), Vision (Paul Bettany), Black Widow (Scarlett Johansson) and War Machine (Don Cheadle) – to stop terror around the globe. After a mission in Africa winds up causing a tremendous deal of collateral damage, however, the team suddenly finds itself under scrutiny and the subject of controversy.
In order to put the Earth’s Mightiest Heroes in check, Secretary of State Thaddeus Ross (William Hurt) presents the team – as well as former members Tony Stark/Iron Man (Robert Downey Jr.) and Clint Barton/Hawkeye (Jeremy Renner) – the opportunity to sign the Sokovia Accords: a document named after the destroyed city from The Avengers: Age of Ultron that would force The Avengers to work under a United Nations panel that would determine exactly when and where the team would go into action. This idea is supported by some, including Tony, Vision, Black Widow and War Machine, but Captain America, Falcon and Scarlet Witch are not shy about their resentfulness of the idea.
The Sokovia Accords are the powder keg, and it winds up being Bucky Barnes/The Winter Solider (Sebastian Stan) who lights the fuse. A terrorist attack is pinned on Captain America’s best-friend-turned-assassin, and while Cap is instructed to leave the situation alone, it’s an order that he rebels against – turning him into a fugitive. All the while, a mysterious man named Helmut Zemo (Daniel Bruhl) operates in the shadows, searching for key information tied to Bucky’s past.
Captain America: Civil War features what is unquestionably the largest ensemble we’ve seen yet in a Marvel Studios movie, and while the narrative isn’t quite as strong as Captain America: The Winter Soldier, where the film makes up for it is in its tremendous character work – both in its understanding of who these pop culture figures are at their core, and having them play off of each other.
There’s no better example of the former in the film than Chadwick Boseman as the newly introduced T’challa, a.k.a. Black Panther, who is every bit as regal, intelligent, bold and passionate as the hero is on the page. And while they don’t have as much screen time as some of the other Avengers characters, there is nobody in their right mind who will walk away from the blockbuster not loving the absolutely brilliant return of Paul Rudd as Scott Lang/Ant-Man, and the long-awaited arrival of Tom Holland as Peter Parker/Spider-Man (who in just a handful of scenes fully encapsulates everything we love about the spectacular web-slinger and overwhelms us with excitement about the future of this iteration).
This film isn’t just about singular impressive performances, however: it’s an opportunity to see how these heroes both relate to each other and act when they are at odds, and the work done by the Russo brothers and Markus and McFeely is stunning. The headliner, of course, is the key conflict between Captain America and Iron Man - whose emotional battle will tear at the heartstrings of every fan like they’re watching their own parents go through a messy divorce – but the truth is that this is a feature where you can throw a rock and hit amazing character dynamics. As best friends of Cap, teammates, and former opponents, Falcon and Bucky have one of the most complex relationships in the movie, and it actually translates into a ton of laughs whenever they’re paired up. On the more serious side of the story, Wanda and Vision are wonderfully brought together, not only because of their relationship in the comics but also because there is a bond between them as “newborns” in the superhero realm. Somehow, everybody gets a moment with everybody, and yet Civil War has zero fat and never swings too far away from the central plot.
All of this couldn’t be pulled off within the basic superhero movie structure (heroes meet villain; heroes get beaten by villain; heroes recuperate; heroes defeat villain in large-scale showdown), so it’s a good thing that Captain America: Civil War burns that book in favor of a much more unconventional and risky approach. Without giving anything away, the film trades out a big, splashy, blockbuster finale (putting that sequence in the second act) in favor of something much more intimate and personal that works because it’s been earned over the last eight years of Marvel Studios storytelling, and the audience really cares about the characters. The movie takes some big swings, but that’s just how it’s able to knock it out of the park.
0 komentar:
Posting Komentar